The new documentary in action : a casebook in film making

par Rosenthal, Alan (1936-....)

University of California press

1971

Disponible - 791.2 ROS

Niveau 3 - Cinéma documentaire

The rise and fall of British documentary : the story of the film movement founded by John Grierson

par Sussex, Elizabeth

University of California press

1975

Disponible - 791.23(4) SUS

Niveau 3 - Cinéma documentaire

Museum movies : the Museum of modern art and the birth of art cinema

par Wasson, Haidee (1970-....)

University of California press

2005

Disponible - 791(73) WAS

Niveau 3 - Cinéma

Five films by Frederick Wiseman

par Wiseman, Frederick (1930-....)

University of California press

2006

Disponible - 791.24 WIS

Niveau 3 - Cinéma documentaire

Beyond the soundtrack : representing music in cinema

University of California Press

2007 -

Disponible - 783.7 BEY

Niveau 3 - Musiques et documents parlés

Résumé : Introduction. Phonoplay : recasting film music -- Musical meaning. The boy on the train, or bad symphonies and good movies : the revealing error of the "symphonic score" / Peter Franklin ; Representing Beethoven : romance and sonata form in Simon Cellan Jones’s Eroica / Nicholas Cook ; Minima romantica / Susan McClary ; Melodic trains : music in Polanksi’s The pianist / Lawrence Kramer ; Mute music : Polanski’s The pianist and Campion’s The piano / Michel Chion -- Musical agency. Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo / Richard Leppert ; Sight, sound, and the temporality of myth making in Koyaanisqatsi / Mitchell Morris ; How sound floats on land : the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy -- Auteur music / Claudia Gorbman -- Transport and transportation in audiovisual memory / Berthold Hoeckner -- The fantastical gap between diegetic and nondiegetic / Robynn J. Stilwell -- Musical identity. Early film themes : Roxy, Adorno, and the problem of cultural capital / Rick Altman ; Before Willie : reconsidering music and the animated cartoon of the 1920s / Daniel Goldmark ; Side by side : Nino Rota, music, and film / Richard Dyer ; White face, black noise : Miles Davis and the soundtrack / Krin Gabbard ; Men at the keyboard : liminal spaces and the heterotopian function of music / Gary C. Thomas.

American ethnographic film and personal documentary : the Cambridge turn

par MacDonald, Scott (1942-....)

University of California press

2013 -

Disponible - 791.23(7) MAC

Niveau 3 - Cinéma documentaire

Résumé : "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism’s focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century."