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Snoeck Publishers ; Musée national des arts asiatiques Guimet
2015 -
Disponible - 705.19 TIG
Niveau 3 - Arts
Résumé : A l'occasion de l'année France-Corée, cette exposition présente une sélection de peintures et de panneaux issus de la collection Lee Ufan. Ces pièces témoignent de la production picturale sur cinq siècles en Corée, marquée par des références au bouddhisme, au confucianisme, à la nature et aux paysages. ©Electre 2015
![Only the young : experimental art in Korea, 1960s-1970s : [exhibition, Seoul, National Museum of Modern and Contemporary Art, 26 May-July 16, 2023, New York, Solomon R. Guggenheim Museum, September 1, 2023-January 7, 2024, Los Angeles, Hammer Museum, February 11-May 12, 2024]](/imported_images/livre/couverture/978-0-89207-561-4.jpg)
par An, Kyung ; Soojin, Cho (19..-....) ; Yoon, Jin Sup (19..-) ; Kang, Soo Yun (1964-....) ; Kee, Joan ; Kungnip Hyŏndae Misulgwan (Gwacheon, Corée du Sud) ; Solomon R. Guggenheim museum (New York, N.Y.). ; Hammer museum (Los Angeles, Calif.).
Guggenheim Museum
2023 -
Disponible - 705.19 ONL
Niveau 3 - Arts
Résumé : "The 1960s and 1970s marked a period of exceptional change in Korea, propelled by rapid urbanization and modernization, and influenced by an authoritarian state at home and a globalizing world beyond. Young artists of the era were not immune to these unprecedented socioeconomic, political and material conditions, responding with a groundbreaking and genre-defying body of avantgarde art known broadly as Experimental art (silheom misul). Both as individuals and in collectives, these artists broke definitively with their predecessors, redefining the boundaries of traditional painting and sculpture while embracing innovative-and often provocative-approaches to materials and process through performance, installation, photography and video. Only the Young: Experimental Art in Korea, 1960s-1970s accompanies the first exhibition in North America to examine this influential but understudied period. Featuring incisive new scholarship and lavish photography of works drawn from public and private collections across the globe, the volume also brings together translations of articles, artist manifestos and other primary sources that offer a firsthand perspective on the ideas and discourses then shaping Korean art. What emerges is the story of how this generation of young Korean artists harnessed the power of art to confront and reimagine an ever-shifting present. Artists include: Choi Boonghyun, Choi Byungso, Chung Chanseung, Ha Chong- Hyun, Han Youngsup, Jung Kangja, Kang Kukjin, Kim Hanyong, Kim Kulim, Kim Tchahsup, Kim Youngjin, Lee Hyangmi, Lee Hyeonjae, Lee Kang-So, Lee Kun-Yong, Lee Seungjio, Lee Seung-taek, Lee Taehyun, Limb Eungsik, Moon Bokcheol, Nam Sanggyun, Park Hyunki, Shim Moon-seup, Shin Hakchul, Song Burnsoo, Suh Seungwon, Sung Neungkyung and Yeo Un"
par Kim, Yŏng-Na ; Rajchman, John (1946-....) ; Lee, Sook-Kyung
TransGlobe publishing
2013
Disponible - 705.19 KOR
Niveau 3 - Arts
National museum of Korea
2012
Disponible - 705.19 SEC
Niveau 3 - Arts
par Lee, Soyoung (1971-....)
Metropolitan Museum of Art
2009
Disponible - 705.19 LEE
Niveau 3 - Arts
par Cambon, Pierre (1955-....)
Nouvelles éditions Scala ; Musée national des arts asiatiques Guimet
2015 -
Disponible - 705.19 CAM
Niveau 3 - Arts
Résumé : Un parcours chronologique à travers l'art coréen, des origines au début du XXe siècle. L'ouvrage montre comment, au cours de l'histoire, la Corée a su imposer ses particularités vis-à-vis de ses voisins mongols, sibériens, chinois et japonais. ©Electre 2015
par Moon, Virginia ; Kang, Min-gi ; Inhye, Kim ; Yisoon, Kim (19..-....) ; Heangga, Kwon (19..-....) ; Soohyun, Mok (19..-....) ; Noh, Nora (19..-....) ; Kee, Joan ; Kungnip Hyŏndae Misulgwan (Gwacheon, Corée du Sud) ; Los Angeles county museum of art
Los Angeles County Museum of Art ; Delmonico Books·D.A.P.
2022 -
Disponible - 705.19 SPA
Niveau 3 - Arts
Résumé : In 'The Space Between', a generative period in Korean art between the traditional and the contemporary is illuminated comprehensively for the first time. After the centuries-long Joseon dynasty came 35 uninterrupted years of the Japanese colonial period (1910-45) followed by the Korean War (1950-53). During this tumultuous time, Korean artists grappled with issues such as identity and nationalism and experimented with a broad range of media. The book is organized into five categories: The Modern Encounter- foreign influences enter the country in a significant way in the late 19th and early 20th centuries; The Modern Response- how foreign methods are accepted or rejected; The Pageantry of the New Woman (Sinyeoseong) Movement- modern women's attitudes; The Modern Momentum- advances in using foreign styles; and Evolving into the Contemporary- a glimpse into the contemporary. Most notable during this period are the introductions of photography, sculpture and oils, which arrived via Japan and came to define modern art in Korea. At the same time, traditional ink painting reinvented itself: works grew larger in scale while keeping traditional landscape motifs with alterations in the use of color and composition. Artists of modern ink believed that theirs was the true future of modern art, unsullied by elements found in the West. By the end of the Korean War, the magnified status of the US made way for access to American abstract art and, indirectly, European informel. For nearly a decade, abstract expressionist and informel styles dominated Korean art. The volume concludes in the 1960s, setting the stage for contemporary art in Korea. Exhibition: Los Angeles County Museum of Art, USA (11.09.2022 - 19.02.2023)
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