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Documents en rayon : 15

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Résumé : In the late nineteenth and early twentieth centuries, indigenous communities in the United States and Australia suffered a common experience at the hands of state authorities: the removal of their children to institutions in the name of assimilating American Indians and protecting Aboriginal people. Although officially characterized as benevolent, these government policies often inflicted great trauma on indigenous families and ultimately served the settler nations’ larger goals of consolidating control over indigenous peoples and their lands. White Mother to a Dark Race takes the study of indigenous education and acculturation in new directions in its examination of the key roles white women played in these policies of indigenous child-removal. Government officials, missionaries, and reformers justified the removal of indigenous children in particularly gendered ways by focusing on the supposed deficiencies of indigenous mothers, the alleged barbarity of indigenous men, and the lack of a patriarchal nuclear family. Often they deemed white women the most appropriate agents to carry out these child-removal policies. Inspired by the maternalist movement of the era, many white women were eager to serve as surrogate mothers to indigenous children and maneuvered to influence public policy affecting indigenous people. Although some white women developed caring relationships with indigenous children and others became critical of government policies, many became hopelessly ensnared in this insidious colonial policy. - Note de l'éditeur

Résumé : Sommaire : Australia : an introduction / Kathleen Soriano -- Dead heart, live heart / Thomas Keneally -- Country : aboriginal art / Wally Caruana and Franchesca Cubillo -- Land and landscape : the colonial encounter 1800-80 / Ron Radford -- Art nation : Australian landscape 1880-1920 / Anne Gray -- Australian landscape : pathways into the modern world 1920-50 / Deborah Hart -- Elizabethan post-colonial 1950-2013 / Daniel Thomas.

Résumé : Monographie présentant les oeuvres réalisées par un collectif d'artistes aborigènes d'Australie composé de Ted Egan Tjangala, Dinny Nolan Tjampitjinpa, Johnny Possum Tjapaltjarri et Albie Morris Tjampitjinpa. Leurs peintures au sol évoquent les principaux Rêves des régions désertiques tels que le feu, l'eau et l'émeu. Une interview d'Arnaud Serval menée par Bérengère Primat complète l'ouvrage. ©Electre 2022

Résumé : Publié d'après le catalogue de l'exposition permanente : "A show : Austrian architecture in the 20th and 21st centuries" présentée à l'Architekturzentrum Wien depuis 2006. - Egalement publié en allemand

Résumé : The artworks of Aboriginal Australian peoples are a profoundly important repository of knowledge and reflect a deep connection to Country. This visually rich survey explores the evolution of the contemporary Aboriginal art movement in remote areas of Australia across twenty-nine art centres in five states from the Kimberley through to Arnhem Land and beyond. Featuring profiles of 100 artists, this unparalleled work provides valuable insight into Knowledges and Traditions, while highlighting the achievements of each unique artist – all recognised as among the most distinguished painters from remote Australia. Author Marie Geissler’s opening essay traces the progression from rock art through to the launch of the Western desert movement, which began at Papunya in the early 1970s and led to the widespread uptake of contemporary painting by Aboriginal artists. Esteemed writers Margo Neale and Djon Mundine offer erudite contributions distilling the complexity of the art movement and its impact. Dreaming the Land is an authoritative reference that offers readers around the world a valuable introduction to Aboriginal culture and the stories that underpin the paintings.

Résumé : Ce catalogue témoigne de la présence du rêve dans les oeuvres contemporaines aborigènes, de la Terre d'Arnhem aux déserts en passant par le Kimberley. ©Electre 2017

Résumé : Une étude détaillée et comparée des revues spécialisées dans le cinéma d'avant-garde Promenoir, Close Up et Cantrill's Filmnotes. A travers l'analyse des thèmes abordés et des spécificités des auteurs des articles publiés, A. Pierron montre comment les artistes s'emparent du discours sur les films et défendent leurs idées, accompagnant les évolutions de l'industrie. ©Electre 2022

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