Lucio Fontana : Venice New York : [exhibition, New York. Peggy Guggenheim Collection, Venice June 4-September 24, 2006. Solomon R. Guggenheim Museum, New York October 10, 2006-January 21, 2007]

par Barbero, Luca Massimo (1963-....)

Guggenheim Museum

2006

Disponible - 70"19" FONT 2

Niveau 3 - Arts

Ettore Sottsass : the glass

par Barbero, Luca Massimo (1963-....)

Skira

2018

Disponible - 70"19" SOTT 2

Niveau 3 - Arts

L'officina del contemporaneo : Venezia '50-'60

par Barbero, Luca Massimo (1963-....)

Charta

1997

Disponible - 704-72 VEN

Niveau 3 - Arts

Antony Gormley : drawing space : [exhibition, MACRO, Rome, October 26, 2010-February 6, 2011] curated by Luca Massimo Barbero, Anna Moszynska

Electa

2010

Disponible - 70"19" GORM 2

Niveau 3 - Arts

Trésors de Venise : la collection Cini

Hazan

2021 -

Disponible - 7.4 CINI

Niveau 3 - Arts

Résumé : Une présentation de la collection réunie par le philanthrope Vittorio Cini (1885-1977), composée de sculptures, de peintures, de dessins et de divers objets réalisés par des artistes italiens entre les XIVe et XVIIIe siècles. ©Electre 2021

Lucio Fontana : catalogo ragionato delle sculture ceramiche

par Crispolti, Enrico (1933-2018) ; Villa, María (1977-....) ; Barbero, Luca Massimo (1963-....) ; Ardemagni, Silvia ; Fondazione Lucio Fontana

Skira

2022

Disponible - 70"19" FONT 2 1

Niveau 3 - Arts

Disponible - 70"19" FONT 2 2

Niveau 3 - Arts

Burri : painting, an irreductible presence : [exposition Fondazione Giorgio Cini, Venice, 10.05-28.07, 2019]

par Corà, Bruno (1942-....) ; Sarteanesi, Chiara

Forma Edizioni

2019 -

Disponible - 70"19" BURR 2

Niveau 3 - Arts

Résumé : Catalogue on the retrospective anthology organised by the Fondazione Giorgio Cini dedicated to Alberto Burri (città di Castello 1915 – Nice 1995), edited by the Art Historian and President of the Fondazione Burri Bruno Corà. The project shows the successful journey to international recognition as a result of the centenary of the birth of the Umbrian artist.The exhibition chronologically recalls Burri’s artistic career through around fifty of his works chosen from his most important series: the Catrami [Tars], Muffe [Moulds], and the Sacchi [Sacks], before arriving at the Combustioni [Combustions], Legni [Woods], Plastiche [Plastics], Cretti [Cracks], and the last stage of the master’s artistic research, his Cellotex series.