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Documents en rayon : 18

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Résumé : La vie artistique et culturelle au début du XXe siècle, période appelée âge d'argent, dans les deux capitales russes, Moscou et Saint-Pétersbourg, est analysée : littérature, musique, théâtre, architecture, arts plastiques. Des créateurs associés à cette renaissance culturelle placée notamment sous le signe du symbolisme sont évoqués : A. Akhmatova, L. Bakst, A. Benois, M. Chagall, etc.La jaquette porte en plus : "architecture, peinture, design, art du livre, littérature, musique, danse, théâtre, cabaret"

Résumé : Octobre 1869. Un exilé revient à Saint-Pétersbourg. Son beau-fils Pavel vient d'être victime d'un accident fatal : il doit reprendre les affaires du jeune mort. Le voyageur est un écrivain nommé Dostoïevski...

Résumé : In The Master of Petersburg J. M. Coetzee dares to imagine the life of Dostoevsky. Set in 1869, when Dostoevsky was summoned from Germany to St Petersburg by the sudden death of his stepson, this novel is at once a compelling mystery steeped in the atmosphere of pre-revolutionary Russia and a brilliant and courageous meditation on authority and rebellion, art and imagination. Dostoevsky is seen obsessively following his stepson's ghost, trying to ascertain whether he was a suicide or a murder victim and whether he loved or despised his stepfather.

Résumé : Catalogue publié à l'occasion de l'exposition Traces (of the avant-garde) qui a eu lieu au Salvador Dali Museum, St-Petersburg (Floride) du 26 février au 30 août 2005 et au Museo Nacional Centro de Arte Reina Sofia du 13 septembre au 16 octobre 2005

Résumé : A protagonist in the tale of surrealism’s influence on American art at midcentury, the Chilean painter Roberto Matta initially trained as an architect, and moved to Paris in 1933 to work for Le Corbusier. It was in Paris that Matta met the surrealists. Inspired by non-Euclidian geometry (like Duchamp, de Chirico and others), Matta tried to give shape to structures built in his mind, creating space beyond conventional perspective. Additionally, through the writings of Russian philosopher Peter D. Ouspensky, Matta became fascinated with the idea of the “fourth dimension,” and, upon his move to New York, transmitted these ideas to abstract expressionist painters such as Gorky, Motherwell and Pollock. The first overview of the artist in many years, 'Matta & the Fourth Dimension' features more than 60 of Matta’s paintings, highlighting the artist’s unique understanding of space and his pursuit of the fourth dimension on canvas. With a text by Linda Dalrymple Henderson (author of 'The Fourth Dimension and Non-Euclidean Geometry in Modern Art') and an interview by Hans Ulrich Obrist, this volume offers a much-needed comprehensive survey of the artist’s work. Exhibition: The State Hermitage Museum, St. Petersburg, Russia (02.04.-30.06.2019).

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