Moma Dance. modern dance : Sarah Michelson

par Velasco, David

Moma

2017

Disponible - 792.8 MICH 2

Niveau 3 - Arts

Photography at MoMA. 1840-1920

par Bajac, Quentin ; Museum of modern art (New York, N.Y.).

MoMA

2017

Disponible - 77.6 MOM

Niveau 3 - Arts

Photography at MoMA. 1920-1960

par Bajac, Quentin ; Museum of modern art (New York, N.Y.).

MoMA

2016

Disponible - 77.4.6 MOM

Niveau 3 - Arts

Photography at MoMA. 1960 to now

par Bajac, Quentin ; Museum of modern art-Queens (New York, N.Y.).

MoMA

2015

Disponible - 77.6 MOM

Niveau 3 - Arts

Rirkrit Tiravanija : A Lot of People

MoMA PS1

2024 -

Indisponible : En traitement

Résumé : Accompagnant la plus grande exposition à ce jour consacrée à l'artiste thaïlandais Rirkrit Tiravanija, ce catalogue retrace quatre décennies de sa pratique multiforme et présente desœuvres rarement vues des années 1980 jusqu'à des projets récents, comprenant des installations, des vidéos, des œuvres sur papier, des sculptures et des œuvres participatives. Lesessais des commissaires de l'exposition Ruba Katrib et Yasmil Raymond, ainsi que des universitaires Jörn Schafaff, David Teh et Mi You, plongent dans les aspects clés du travail deTiravanija, fournissant un contexte historique. Ces textes sont complétés par 18 courtes réflexions d'artistes, penseurs et collaborateurs qui ont été des interlocuteurs importants de Tiravanija au fil des années.

Shigeko Kubota : Liquid Reality

par Museum of modern art (New York, N.Y.). ; Papernik-Shimizu (Erica) ; Sutton, Gloria (1972-....)

Moma

2021 -

Disponible - 70"19" KUBO 2

Niveau 3 - Arts

Résumé : Shigeko Kubota was one of the first artists to commit to video in the early 1970s, drawn to its freedom from precedent and its expressive potential. Treating recently introduced portable video equipment like a “new paintbrush,” she interwove conceptual concerns and formal experimentation to create hypersaturated, otherworldly explorations of identity, memory, technology, and the natural landscape. She proposed a life for video beyond the constraints of the television monitor with her pioneering video sculptures, which combine the “energy of electrons” with three-dimensional forms made from raw materials like plywood and sheet metal, and often incorporate mirrors and flowing water. Prismatic in their layering of images and meanings yet economical in form, Kubota’s poetic, hybrid works continue to resonate. Published in conjunction with the first solo exhibition of the artist’s work at a museum in the United States in twenty-five years, Shigeko Kubota: Liquid Reality provides fresh perspectives on a selection of key video sculptures made through the mid-1980s. In-depth readings, as well as drawings, documentary photographs, and archival ephemera, illuminate her creative process and situate her in the vibrant New York art scene of the day, to which she contributed not only with her own bold multidisciplinary language but with her tireless advocacy for her chosen medium and its diverse practitioners.