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Documents en rayon : 1934

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Résumé : What does it mean? Is it really art? Why does it cost so much?" While these questions are perpetually asked about contemporary art, they are not the questions that E. H. Gombrich set out to answer in his seminal book 'The Story of Art'. Contemporary art is very different from what came before. From the 1960s, where Gombrich's account concludes, artists began to abandon traditional forms of art and started to make work that questioned art's very definition. This is where Godfrey picks up the story. Developments in contemporary art have followed no straightforward line of progress or sequence of movements. Recognizing this, Tony Godfrey creates a narrative from a series of often dramatic creative conflicts and arguments around what art is or should be. From object versus sculpture and painting versus conceptual to local versus global, gallery versus wider world, The Story of Contemporary Art traces a history in terms of drastic changes in social and political life over the last sixty years. How do we experience being human in a world that seems to change so quickly? In exploring art's relationship to this question, Godfrey asserts that multiple voices must be heard: critics, theorists, curators and collectors, but also audiences and artists themselves. Key to the book is the story of how a perception that art was made almost exclusively by white men from North America and Western Europe has been radically overturned. Compelling and intelligent, but never academic, this book tells us how.

Résumé : L'auteure analyse l'oeuvre de six artistes contemporains pour lesquels le rapport au modernisme du début du XXe siècle est fondamental. ©Electre 2017

Résumé : Les manifestes des grands courants jusqu'aux plus récents, mais aussi l'explication des termes techniques comme ready made, et l'exposé des principales théories esthétiques. Non pas un abécédaire, mais une mise en perspective articulée par grands courants et notions.

Résumé : Traduction. Contient la traduction anglaise de la revue "G : Material zur elementaren Gestaltung" co-éditée par Hans Richter de 1923 à 1926.

Résumé : Il n'y a de conscience que moderne de la préhistoire, un horizon de pensée qui s'est déployé dans la conscience occidentale à partir de la seconde moitié du XIXe siècle. Dans quelle mesure y a-t-il une conscience préhistorique de la modernité ? Que fait la préhistoire à la modernité ? Ce cahier essaie de répondre à ces questions.

Résumé : A hand-signed porcelain urinal. An abstract drip painting. A silent 700 hour performance. Art has changed since the days of Giotto, Michelangelo, and even Picasso--and many of us are perplexed. Do modern and contemporary artists such as Marcel Duchamp, Jackson Pollock, and Marina Abramovic represent civilization's highest achievements? Or is something else afoot? In The Art of Looking, art critic Lance Esplund demonstrates that works of modern and contemporary art are not as indecipherable as they seem to be. He reveals the threads that weave the art of the past with that of the present, and shows us how to separate the genuine article from mere rags--not to mention the emperor's new clothes. "The landscape of contemporary art has changed dramatically during the last hundred years: from Malevich's 1915 painting of a single black square and Duchamp's 1917 signed porcelain urinal to Jackson Pollock's midcentury "drip" paintings; Chris Burden's "Shoot" (1971), in which the artist was voluntarily shot in the arm with a rifle; Urs Fischer's "You" (2007), a giant hole dug in the floor of a New York gallery; and the conceptual and performance art of today's Ai Weiwei and Marina Abramovic. The shifts have left the art-viewing public (understandably) perplexed. In The Art of Looking, renowned art critic Lance Esplund demonstrates that works of modern and contemporary art are not as indecipherable as they might seem. With patience, insight, and wit, Esplund guides us through the last century of art and empowers us to approach and appreciate it with new eyes. Eager to democratize genres that can feel inaccessible, Esplund encourages viewers to trust their own taste, guts, and common sense. The Art of Looking will open the eyes of viewers who think that recent art is obtuse, nonsensical, and irrelevant, as well as the eyes of those who believe that the art of the past has nothing to say to our present." -- Publisher's description.

Résumé : Contributions analysant le concept de modernité tel qu'il est employé depuis la Renaissance jusqu'au XXe siècle par les artistes (peintres, musiciens ou auteurs), les critiques d'art, les philosophes et les historiens. Elle émerge pour repenser les normes de l'art ainsi que les rapports entre la politique, l'art et la vie. ©Electre 2022

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