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Résumé : "Gerhard Richter has explored the possibilities of painting since the 1960s, and abstraction is one of his key themes. This publication is the first to focus on this central aspect of Richter's work. It contextualizes the artistic development and intellectual continuity of one of the most significant artists of our time. Over five decades, Richter has created diverse groups of works that are unified by recurring elements. By deliberately incorporating chance, he minimizes the artist's conscious control of the painting process. Richter emphasizes a grid structure over spontaneous creativity and draws a squeegee across entire canvasses. He eschews subjectivity and references outside of art. These abstract works function on their own terms

Résumé : L'artiste allemande (1867-1945) débute ce journal en 1908. Elle y relate ses rencontres, ses questionnements et ses créations. Avec en toile de fond, l'Allemagne du début de la Première Guerre mondiale à la fin de la Seconde. ©Electre 2018

Résumé : Behind the Mask: Artists in the GDR focuses on the wide variety of artistic self-staging in the GDR, between public and private, prescribed collectivism and creative individuality. The intention of the GDR's official state art was to exert political influence and this resulted in ideological entanglements that have been examined in numerous publications and exhibitions in recent years. Yet how did artists in the GDR critically scrutinize themselves and their own art when their prescribed role was to represent the interests of the state? The pertinent essays and outstanding reproductions in this volume draw a comprehensive picture of art in the GDR from a new and knowledge-enhancing perspective."

Résumé : En reconstituant une série de débats franco-allemands sur l'appartenance nationale de l'art gothique et de la Renaissance, cette étude se veut une contribution à l'histoire de la construction des identités esthétiques nationales et à une histoire croisée des sciences humaines.

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