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  •    Sujet : Civilisation -- États-Unis -- 20e siècle
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Documents en rayon : 36

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Résumé : De la fin du XIXe siècle jusqu'aux années 50, les Etats-Unis deviennent un empire économique, une superpuissance politique et un modèle culturel, grâce à un dialogue précoce et inédit entre chercheurs universitaires, hommes d'affaires et administrateurs de fondations. Un système de consommation de masse et l'"Américain moyen" en émergent, mais aussi quelques rêves déçus...

Résumé : "At the end of World War II, many Americans longed for a return to a more normal way of life after decades of depression and war. In fact, between 1945 and 1963 the idea of "normality" circulated as a keyword in almost every aspect of American culture. In "Perfectly Average", Anna Creadick investigates how and why this concept reemerged as a potent homogenizing category in postwar America. Working with scientific studies, material culture, literary texts, film, fashion, and the mass media, she charts the pursuit of the "normal" through thematic chapters on the body, character, class, sexuality, and community."

Résumé : Décrit la mentalité française en se servant de la comparaison avec la culture américaine. Les thèmes abordés sont l'éducation, l'interculturalité, le droit, le comportement au travail, l'évolution sociétale, le rôle des femmes dans le changement social, les forces de la culture française.

Résumé : L'américanisation fait peur, associée à la perte d'identité, elle symbolise une modernité dangereuse. Sont étudiées ici les intentions de l'Amérique à l'égard de l'Europe, sa politique extérieure ainsi que les réactions des autres pays occidentaux face aux transformations américaines.

Résumé : In Flintstone Modernism, Jeffrey Lieber investigates transformations in postwar American architecture and culture. He considers sword-and-sandal films of the 1950s and 1960s and their protean, ideologically charged representations of totalitarianism and democracy. He connects Cinemascope and other widescreen technologies to the architectural “glass curtain wall,” arguing that both represented the all-encompassing eye of American Enterprise. Lieber reminds us that until recently midcentury modern American architecture was reviled by architectural historians but celebrated by design enthusiasts, just as sword-and-sandal epics are alternately hailed as cult classics or derided as camp.Lieber's argument is absorbing, exuberant, and comprehensive. Following Hannah Arendt, who looked for analogies in the classical past in order to understand midcentury's cultural crisis, Lieber terms the postwar reckoning of ancient civilizations and modern ideals “Flintstone modernism.” In new assessments of the major architects of the period, Lieber uncovers the cultural and political fantasies that animated or impinged on their work, offering surprising insights into Gordon Bunshaft's commonsense classicism; Eero Saarinen's architectural narratives of ersatz empire and Marcel Breuer's mania for Egyptian monoliths; and Edward Durell Stone's romantic “flights of fancy” and Philip Johnson's wicked brand of cynical cultural and sociopolitical critique. Deftly moving among architecture, film, philosophy, and politics, Lieber illuminates the artifice that resulted from the conjunction of high style and mass-cultural values in postwar America

Résumé : A gripping history of outlaw motorcycle club culture from its beginnings to the present day. In a world where most of us roll over when confronted by the power of authority, the antihero figure of the outlaw biker stands beyond the crowd, a beacon of social freedom. By choosing to live outside of society’s conventions, the one-percenter has the inner strength to act on his own convictions. Though most of us are too timid to venture into these outer margins of society, the one-percenter not only enters those margins—he stomps on them. In Hell on Wheels, avid motorcyclist Bill Hayes dives deep into the world of the outlaw motorcyclist, exploring legendary clubs like the Hells Angels, the Bandidos, the Outlaws, the Vagos, the Pagans, the Mongols, and many others, allowing the reader to peer into motorcycle club culture. Featuring both modern and historical photos, as well as a rare collection of club memorabilia found in no other publication, Hell on Wheels traces the roots and development of motorcycle club culture: its origins in the years following World War II; the turbulent 1960s and the disco era; the transition of clubs from loose groups of hooligans to highly organized machines; and, more recently, the copious clashes with law enforcement amid the post-9/11 world of the Patriot Act. - Note de l'éditeur

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