P.U.F.
1972
-
Disponible - 286 PET
Niveau 2 - Religions
Recherche simple :
P.U.F.
1972
Disponible - 286 PET
Niveau 2 - Religions
par Mailer, Norman (1923-2007)
New English library
1982 -
Disponible - 821 MAIL 3
Niveau 3 - Langues et littératures
Résumé : The Essential Mailrer contains Norman Mailer's new selection of short fiction pieces taken from the American collection The Short Fiction of Norman Mailer and a non-fiction selection from Existential Errands, never before published in the U.K.
par Bourriaud, Nicolas (1965-....) ; Tregulova, Zel'fira Ismailovna (1955-....) ; Laboulaye, Pauline de ; Erofeev, Andrej
SILVANA EDITORIALE S.p.A
2019 -
Disponible - 704.78 NON
Niveau 3 - Arts
Résumé : Peintures, installations, sculptures et photographies d'une cinquantaine d'artistes composent un parcours chronologique des différents courants de l’art "non-conformiste" en U.R.S.S, puis en Russie. Cette collection a été constituée entre 1983 et 2008 à l'initiative de l'historien de l'art russe Andreï Erofeev en vue de créer un musée d'art contemporain à Moscou, alors qu’aucune institution soviétique ne s’intéressait à l'avant-garde. Composée à l'origine de plus de 5000 pièces, une sélection de cette collection a finalement intégré la Galerie Nationale Tretiakov, faisant de cette dernière la première institution abritant un département d’art contemporain russe.L’exposition permet ainsi une plongée inédite dans cet « underground » des années 1960-2000.
Réunion des musées nationaux ; Musée Guimet
2001 -
Disponible - 705.19 NOS
Niveau 3 - Arts
Résumé : L'artiste coréen Lee U-Fan a fait donation de sa collection : 100 peintures, 27 paravents, sur soie ou papier, dont la qualité montre la cohérence de l'art décoratif de la fin de Choson. Inventivité et unité d'une culture marquée par le confucianisme, et mêlant la tradition coréenne et la perspective orientale aux premières influences occidentales.
par Museum Ludwig (Cologne, Allemagne).
Verlag der Buchhandlung Walther und Franz König
2023 -
Disponible - 70"19" URSU 2
Niveau 3 - Arts
Résumé : "Ursula Schultze-Bluhm, who is known simply as Ursula, was one of the most important German artists of the second half of the twentieth century. She was born in Mittenwalde, Germany, in 1921 and died in Cologne in 1999. Museum Ludwig's exhibition Ursula--That's Me. So What?, which is the first comprehensive museum show on the artist in over thirty years, offers a fresh look at her oeuvre. The show contains 236 works, of which 44 are from the collection of the Museum Ludwig.Ursula's life and work offer an unconventional narrative of artistic independence. Her art exemplifies the idea that Surrealism is not a style, but an attitude. Ursula subverted reality and found the uncanny in the everyday, challenging the authorities of society and art by imagining new worlds in which old hierarchies are thrown overboard and new ways of life are conceivable. Ursula shared this utopian imagination with artists such as Leonora Carrington, Leonor Fini, Dorothea Tanning, and Unica Zürn.It is impossible to unambiguously categorize the essence of Ursula's works. Terms such as naive painting, Surrealism, or individual mythology only touch on individual aspects of her unorthodox visual ideas, which always convey an intensely sensual experience. As early as 1954, Jean Dubuffet integrated works by her into his Musée de l'Art Brut. Like André Breton, Dubuffet appreciated the unconventional narrative style of her texts and pictures, which--at least on first glance--seem to stand outside of time. While they often refer to mythology, they usually reflect the artist's own emotional states, fears, and obsessions. 'I impose my visions on reality--I am completely artificial,' Ursula declared, characterizing her unusual parallel worlds in which extravagant characters exist and the familiar and the uncanny are perceptible. Beauty and transience, the fairy-like and the monstrous, thrive side by side. One of Ursula's characteristic subjects was Pandora, the woman who was created from clay in Greek mythology, in whose story the most terrible evils and the most excellent gifts are inseparably intertwined. Ursula's scenes are frequently inhabited by fantastical hybrid creatures, and the allure of transformation is tangible everywhere, challenging time-worn dualisms such as woman/man and human/nature.This overview exhibition at the Museum Ludwig aims to present Ursula's captivating and self-assured work to a new generation of museum visitors. The show reveals that it is the individuality of Ursula's work that allows it to touch on so many fundamental and topical issues, including female self-determination and the challenging of established gender identities, with a worldview in which everything is interconnected and mutually dependent."--
par Tchicaya U Tam'si (1931-1988)
R. Laffont
1980
Disponible - 846.3 TCHI 2
Niveau 3 - Langues et littératures
par Rapaport, Brooke Kamin ; Haslett, Tobi ; Wagner, Anne Middleton (1949-....) ; English, Darby (1974-....) ; Venice biennale. U.S. Pavillion ; Madison Square Park Conservancy (New York, N.Y.) ; Peggy Guggenheim collection (Venise, Italie). ; Solomon R. Guggenheim foundation
Hatje Cantz Verlag GmbH ; Madison square park conservancy ; Gregory R. Miller & CO
2019 -
Disponible - 70"19" PURY 2
Niveau 3 - Arts
Résumé : Accompanying the landmark exhibition by renowned Hudson Valley–based artist Martin Puryear (born 1941), who is representing the United States at the 58th Venice Biennale, this book captures a high point in the career of one of today’s most acclaimed artists.In addition to extensive illustrations of new sculptures made for the Biennale, including a significant site-specific work, the book features major texts by Brooke Kamin Rapaport, Darby English and Anne Wagner. The works and essays demonstrate Puryear’s powerful, original and influential engagement with art history and social history on both a personal level, as an African American artist, and universally. With a definitive illustrated chronology of the artist’s career over the last fifty years, 'Martin Puryear: Liberty / Libertà' is an essential look at one of the most important artists today, who continues to work at the height of his powers.
par Smithsonian institution
Smithsonian Books
2019 -
Disponible - 973-1 SMI
Niveau 2 - Histoire
Résumé : An inspiring and surprising celebration of U.S. women's history told through Smithsonian artifacts illustrating women's participation in science, art, music, sports, fashion, business, religion, entertainment, military, politics, activism, and more. This book offers a unique, panoramic look at women's history in the United States through the lens of ordinary objects from, by, and for extraordinary women. Featuring more than 280 artifacts from 16 Smithsonian museums and archives, and more than 135 essays from 95 Smithsonian authors, this book tells women's history as only the Smithsonian can. Featured objects range from fine art to computer code, from First Ladies memorabilia to Black Lives Matter placards, and from Hopi pottery to a couch from the Oprah Winfrey show. There are familiar objects--such as the suffrage wagon used to advocate passage of the 19th Amendment and the Pussy Hat from the 2016 Women's March in DC--as well as lesser known pieces revealing untold stories. Portraits, photographs, paintings, political materials, signs, musical instruments, sports equipment, clothes, letters, ads, personal posessions, and other objects reveal the incredible stories of such amazing women as Phillis Wheatley, Julia Child, Sojourner Truth, Mary Cassat, Madame CJ Walker, Amelia Earhart, Eleanor Roosevelt, Mamie Till Mobley, Dolores Clara Fernandez Huerta, Phyllis Diller, Celia Cruz, Sandra Day O'Connor, Billie Jean King, Silvia Rivera, and so many more. Together with illuminating text, these objects elevate the importance of American women in the home, workplace, government, and beyond. Published to commemorate the centennial of the 19th Amendment granting women the right to vote, Smithsonian American Women is a deeply satisfying read and a must-have reflection on how generations of women have defined what it means to be recognized in both the nation and the world. - Note de l'éditeur
par Colella, Stéphanie U.
Bruylant Edition
2019 -
Disponible - 341.76 COL
Niveau 3 - Droit
Résumé : Une analyse de la jurisprudence de la Cour de justice de l'Union européenne identifiant d'importantes lacunes en matière de protection des droits fondamentaux. Des solutions pragmatiques et argumentées sont proposées aux juridictions compétentes pour y pallier. Un code permet d'accéder à la version numérique gratuite. ©Electre 2019
X ; FRAC Centre
2013 -
Disponible - 704-90 ART
Niveau 3 - Arts
Résumé : "Art et Architecture" interroge la manière avec laquelle la production artistique des années 1960 à aujourd’hui s’est nourrie de l’architecture. La collection du FRAC Centre comprend également des réalisations exemplaires d’espace public, ainsi "Les deux Plateaux" de Daniel Buren ; des projets de James Turrell, Vito Acconci ou Kawamata.. Sommaire : Les essais (12)// • "Modèles, Répliques et cristaux : la maquette entre art et architecture", Marie-Ange Brayer • "L'architecture espace-temps", Elie During • "Vers une généalogie des dispositifs d'images - les "Demonstrationsräume" et le paradigme de l'usine", Elke Mittmann et Jean-Christophe Royoux • Entretien avec Bernard Blistène • " "L'art c'est la vie" - L'art est-il une fin ou un moyen ?" , Béatrice Simonot • "Construire des Ruines", Thierry Davila • "L'architecture comme casa mentale", Pascal Rousseau • "Extensions du domaine de la hutte - Stratégies anthropiques dans la ville", Aurélien Vernant • "Les Monuments performatifs, à l’interface de l’architecture et de la sculpture", Philip Ursprung • "À perte de vue, la Ville. Visions photographiques", Nadine Labedade • "Sous les fleurs de Xanadu. L’image en mouvement comme appareil critique", Clara Schulmann • "Couper en biais : associer l’art et l’architecture par l’inter- et la transdisciplinarité", Jane Rendell // Les artistes (65)// • A/ Vito Acconci & Mangurian, Saâdane Afif, Kader Attia • B/ Gabriele Basilico, Bernd & Hilla Becher , Louidgi Beltrame, Berdaguer & Péjus , Pierre Bismuth, Marinus Boezem, Bodo Buhl, Betty Bui, Daniel Buren, Alec de Busschère • C/ Bernard Calet, Davide Cascio, James Casebere, Laurent Chambert, Delphine Coindet, Robin Collye, Jordi Colomer • D/ Guy Debord, Peter Downsbrough • E/ Electronic Shadow •F/ Fauguet & Cousinard , Aurélien Froment •G/ Dora Garcia , Ludger Gerdes, Dan Graham, Rodney Graham, Andreas Gursky • H/ Martin Honert, Axel Hütte • I/ Robert Irwin • K/ Marin Kasimir, Tadashi Kawamata, Jan Kempenaers, Aï Kitahara, John Knight, Aglaia Konrad • L/ Bertrand Lamarche, Ben Langlands & Nikki Bell, Frantisek Lesak • M/ Didier Marcel, Gordon Matta-Clark, Vincent Mauger, Mathieu Mercier, Liliana Moro, Charlotte Moth, Leonel Moura • N/ Stéphanie Nava, • P/ Miguel Palma, Hermann Pitz, Julien Prévieux, Bas Princen • R/ Hugues Reip, Bernhard Rüdiger, Allen Ruppersberg • S/ Alan Sekula, Charles Simonds, Kristina Solomouhka, Damien Sorrentino • T/ Stéphane Steiner, Mario Terzic, Koen Theys, James Turrell & Studio Works • U/ Sylvie Ungauer