Artists and amateurs : etching in eighteenth-century France

Yale University Press

2014 - 2013

Disponible - 760(44) ART

Niveau 3 - Arts

De Pissarro à Picasso : l'eau-forte en couleurs en France : oeuvres des collections de la Bibliothèque nationale et du Zimmerli art museum

par Cate, Phillip Dennis (1944-....) ; Grivel, Marianne

Flammarion

1992

Disponible - 760(44) CAT

Niveau 3 - Arts

The Renaissance of etching : [exhibition, New York, The Metropolitan Museum of Art, from October 23, 2019 - January 20, 2020 ; Vienna, the Albertina Museum, from February 12, 2020 - May 10, 2020]

par Jenkins, Catherine (1971-....) ; Zaunbauer, Julia ; LaRocca, Donald J. ; Stijnman, Ad ; Speelberg, Femke (1985-....) ; Metzger, Christof (1968-....) ; Spira, Freyda ; Lauder, Anne Varick ; Orenstein, Nadine M. ; Terjanian, Pierre ; Fuhring, Peter (1952-....) ; Metropolitan museum of art (New York, N.Y.). ; Graphische Sammlung Albertina (Vienne).

The Metropolitan Museum of Art

2019 -

Disponible - 760(4) JEN

Niveau 3 - Arts

Résumé : The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries. The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Durer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.--éd.

La magie de l'encre : Rops et la Société internationale des aquafortistes : exposition, Musée Rops, 7 oct.-3 déc. 2000

Petraco-Pandora

2000 -

Disponible - 70"18" ROPS 2

Niveau 3 - Arts

Résumé : La Société internationale des aquafortistes fut officiellement fondée le 4 décembre 1869 à Bruxelles. F. Rops avait l'ambition de transmettre son expérience de "l'eau-forte moderne" acquise à Paris dans le cadre de la Société des aquafortistes. Quelle fut l'importance de cette société dans l'oeuvre de F. Rops et dans l'histoire des arts en Belgique durant ces années 1870 ?