par Eichenberg, Fritz (1901-1990)
Harry N. Abrams
1976
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Disponible - 760 EIC
Niveau 3 - Arts
Recherche simple :
par Eichenberg, Fritz (1901-1990)
Harry N. Abrams
1976
Disponible - 760 EIC
Niveau 3 - Arts
Musée d'art et d'histoire de Saint-Denis ; Somogy
2005 -
Disponible - 760 DEG
Niveau 3 - Arts
Résumé : Présente des gravures de la collection constituée par Jacques Rech : illustrations satiriques issues du journal la ¤¤Caricature¤¤, estampes contemporaines de Asse, Adami, Debré, Fromanger, Velikovic, etc.
par Castleman, Riva (1930-2014)
Office du Livre
1973
Disponible - 760 CAS
Niveau 3 - Arts
par Brunner, Felix
A. Niggli
1972
Disponible - 762 BRU
Niveau 3 - Arts
par Adhémar, Jean (1908-1987)
Somogy
1963
Disponible - 760 ADH
Niveau 3 - Arts
par Vignot, Edwart (1969-....)
Place des Victoires
2010 -
Disponible - 760(03) VIG
Niveau 3 - Arts
Résumé : Présentation synthétique du dessin et de la gravure à travers des artistes du XIIIe au XXe siècle.
par Watrous, James (1908-....)
University of Wisconsin press
1984
Disponible - 760(73) WAT
Niveau 3 - Arts
par Coppel, Stephen ; Tallman, Susan ; Daunt, Catherine
Thames & Hudson Ltd
2017 -
Disponible - 760(73) AME
Niveau 3 - Arts
Résumé : Sommaire : Piecing together the American dream / Stephen Coppel -- Irresistible: the rise of the American print workshop / Susan Tallman -- 1. Pop art -- 2. Three giants of printmaking: Johns, Rauschenberg, Dine -- 3. The print workshop: Laboratories of experimentation and collaboration -- 4. Made in California: the West Coast experience -- 5. Persistence of abstraction: gestural and hard-edge 1960s-1970s -- 6. Minimalism and conceptualism from the 1970s -- 7. Photorealism: portraits and landscapes -- 8. The figure reasserted -- 9. Politics and dissent -- 10. Feminism, gender and the body -- 11. Race and identity: unresolved histories -- 12. Signs of the times.. The American Dream: From Pop to present presents an overview of the development of American printmaking since 1960, paying particular attention to key figures such as Jasper Johns, Robert Rauschenberg and Andy Warhol. The 1960s was a period of change in the production, marketing and consumption of prints and the medium attracted a new generation of artists whose attitude towards making art had been conditioned by the monumentality and bold, eye-catching nature of popular imagery in postwar America, from advertising billboards to drive-in movies. Artists used to working on large canvases and huge sculptures created prints of an unprecedented ambition, scale and boldness in state-of-the-art workshops newly established on both the East and West coasts. Prints also became a means for expressing opinions on the great social issues of the day, from civil rights to the overt and covert role of government. This has continued, with feminism, gender, the body, race and identity, all topics represented in prints in a variety of stylistic approaches across the decades. The changing nature of American society provides a core element of the narrative, with prints offering a fascinating insight into contemporary thinking and attitudes.
Dessain et Tolra
1985
Disponible - 762 GRA
Niveau 3 - Arts