Résumé

Early 20th century: collage, montage and readymade at the birth of modern culture -- The post-war: cut, copy and quotation in the age of mass media -- Late 20th century: splicing, sampling and the street in the age of appropriation -- The digital age: hacking, remix and the archive in the age of post-production.
Sommaire : EARLY 20TH CENTURY: Collage, Montage and Readymade at the Birth of Modern Culture : In Defiance of Painting: Cubism, Futurism, and the Invention of Collage, Christine Poggi / Merz and Mashup, Isabel Schulz / A Few Words on Photomontage, Hannah Höch / Mechanics and Expression: Franz Roh and the New Vision—A Historical Sketch, Inka Graeve Ingelmann / Luigi Russolo and the Intonarumori, Rob Stone / Apropos of “Readymades”, Marcel Duchamp / The Strangeness of Cornell’s Rose Hobart, Dawn Ades - THE POST-WAR: Cut, Copy and Quotation in the Age of Mass Media : This is Tomorrow: The Thing Itself, Bruce Grenville / Andy Warhol’s Brutal Assemblage, Nicholas Chambers / You are the Disc Jockey, Helen Hsu with David White / Society of the Spectacle, Guy Debord / Jacques Villeglé’s Decollage: Modernity Torn Apart, Patrik Andersson / Jean-Luc Godard's Pierrot le Fou: Cinema as Collage against Painting, Angela Dalle Vacche / Cutting Room Scraps: The Films of Arthur Lipsett, Amelia Does / Joyce Wieland’s Corrective Films, Bruce Grenville / The Mondial Festival Presents, Peter Lang / Achille and Pier Giacomo Castiglioni and the Ready-made Object, Bruce Grenville / The Richness of the Parts: The Gehry Residence, Fiona Ragheb / The Invention of the Supercut, Stephanie Rebick / Vidding: The Art of Flow, Francesca Coppa / Scratch the Super Ape: An Embodiment of Dub’s Mashup Culture, David Katz. - LATE 20TH CENTURY: Quotation, Sampling and the Street in the Age of Appropriation : The Discourse of Others: Feminists and Postmodernism, Craig Owens / A Message from Barbara Kruger: Empathy Can Change the World, Miwon Kwon / My Files of Movie Stills, John Baldessari / General Idea’s Poodles, Ian Thom / Drag Ball Culture: Vogueing and Realness, Tim Lawrence / Tristram Shandy: Laurence Sterne and John Baldessari, Kathy Slade / Street and Self: The Roots of Graffiti, Richard Goldstein / From Many, Into One, Paul D. Miller aka DJ Spooky That Subliminal Kid / A Sensible Proposition: Tom Dixon and Creative Salvage, Gareth Williams and Nick Wright / Maison Martin Margiela: Mashup as a Strategy for Resisting Time, Kaat Debo / My Life in the Bush of Ghosts, Christopher Scoates / Scratching, Popping and Ringing: Christian Marclay’s Sound Collages, Stephanie Rebick / Totem and Taboo in the Origins of Experimental Ink Art in China, Diana Freundl / Material Re-ordering in the Sculptures of Liz Magor, Doris Salcedo and Rachel Whiteread, Daina Augaitis / Prototypes for New Understandings, Daina Augaitis / My Boyfriend Came Back from the War, Olia Lialina / Postproduction: Culture as Screenplay: How Art Reprograms the World, Nicolas Bourriaud / Bigness or the Problem of Large, Rem Koolhaas / Great Artists Steal, They Don’t Do Homages, Lisa Coulthard- THE DIGITAL AGE: Hacking, Remix and the Archive in the Age of Post-Production : The Answer is Yes, Shelley Jackson / Stan Douglas: Narrative and Recombinance, Bruce Grenville / MVRDV’s Glass Farm: Building as Photograph, Bruce Grenville / Be Water: Hito Steyerl’s Liquidity Inc., Melanie O’Brian / Cory Arcangel’s Readymades, Stephanie Rebick / The Mysterious Gesture: Elizabeth Price’s Interdisciplinary Mashup, Stephanie Rebick / Loops of Perception: Sampling, Memory, and the Semantic Web, Stephanie Rebick / Machinimas: A Selection, Isabelle Arvers / H5: Culture Jamming and the Logos of Consumption, Bruce Grenville / redwhiteblue: anothermountainman, Tina Yee-wan Pang / Anonymous Unarchive, Amber Frid-Jimenez / Art vs Design & Design vs Art, Todd Falkowsky / 1000 Words: Ellen Gallagher, Suzanne P. Hudson with Ellen Gallagher / Isa Genzken Says “Fuck the Bauhaus!”, Michael Darling / Ujino: Bachelor Machines, Bruce Grenville / Recovered and Re-arranged: Geoffrey Farmer, Daina Augaitis / Past Forward: The Presence of Art History in the Work of Elizabeth Zvonar, Diana Freundl / Valérie Blass: My Life, Kim Nguyen / Haegue Yang, Daina Augaitis / Oliver Laric’s Versions, Stephanie Rebick / A New Digital Materiality, Stephanie Rebick / BIG: Yes is More, Bruce Grenville / Found MUJI: Super Normal Design, Bruce Grenville.