par Denzler, Bertrand (1963-....)
Bloomsbury
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Disponible - 780.61 PRA
Niveau 3 - Musiques et documents parlés
The Practice of Musical Improvisation : Dialogues with Contemporary Musical Improvisers ;
| Auteur(s) : |
Denzler, Bertrand (1963-....)
Découvrir l'auteur
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- Autre(s) auteur(s)
- Éditeur(s)
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Date
- 2020
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Contenu
- AcknowledgementsPreface1 Starting an Improvisation2 The Mental State During an Improvisation3 Listening to the Other Musicians, the Human Factor, the Strategies4 Memory and Form5 Process versus Aesthetic Result, Improvisation as a Tool to Make Music versus Music as a Tool to Improvise, Improvisation versus Composition6 Talking about Improvisation and Music in General7 Non-idiomatic Improvisation, Experimental Music, Genre Labels8 Silence and Dynamics9 Sounds as Material10 Instrument and Technique11 Solo Improvisation12 The Concert Situation, the Audience, the Published Recordings13 Some Political Issues14 How I Came to Play This Music15 How I Listen to Music, the Music I Listen to, Some Hidden Gardens16 MiscellaneousList of the Musicians InterviewedAn Ear for Discord: Improvise, They SayDiagrams ;
- Over several years, Bertrand Denzler and Jean-Luc Guionnet have interviewed approximately 50 musicians from various backgrounds about their practice of musical improvisation. Musicians include both the very experienced such as Sophie Agnel, Burkhard Beins, John Butcher, Rhodri Davies, Bill Dixon, Phil Durrant, Axel Dörner, Annette Krebs, Daunik Lazro, Mattin, Seijiro Murayama, Andrea Neumann, Jérôme Noetinger, Evan Parker, Eddie Prévost and Taku Unami, as well as those newer to the field. Asked questions on topics such as the mental processes behind a collective improvisation, the importance of the human factor in improvisation, the strategies used and the way musical decisions are made, the interviewees highlight the habits and customs of a practice, as experienced by those who invent it on a daily basis. The interviews were carefully edited in order to produce a sort of grand discussion that draws an incomplete map of the blurred territory of contemporary improvised music.
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Langues
- Anglais
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Description matérielle
- 213 p. ; 24 cm
- Sujet(s)
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ISBN
- 9781501349768
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Indice
- 780.61 Musiques expérimentales, improvisation, noise
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Origine de la notice:
- BPI
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Disponible - 780.61 PRA
Niveau 3 - Musiques et documents parlés
