Les bibliothèques de prêt de la ville de Paris
Les bibliothèques universitaires
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L'encyclopédie Wikipédia
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![Thomas Demand : [exhibition, New York, Museum of modern art, March 4-May 30, 2005]](/imported_images/livre/couverture/0-87070-080-4.jpg)
MOMA
2005
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Disponible - 70"20" DEMA 2
Niveau 3 - Arts
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Documents en rayon : 28
![The changing of the Avant-garde : visionary architectural drawings from the Howard Gilman collection : [exhibition, Museum of modern art, New York, October 24, 2002-January 6, 2003]](/imported_images/livre/couverture/0-87070-004-9.jpg)
MoMa
2002
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Disponible - 72.27 CHA
Niveau 3 - Arts
par Museum of modern art (New York, N.Y.). ; Papernik-Shimizu (Erica) ; Sutton, Gloria (1972-....)
Moma
2021 -
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Disponible - 70"19" KUBO 2
Niveau 3 - Arts
Résumé : Shigeko Kubota was one of the first artists to commit to video in the early 1970s, drawn to its freedom from precedent and its expressive potential. Treating recently introduced portable video equipment like a “new paintbrush,” she interwove conceptual concerns and formal experimentation to create hypersaturated, otherworldly explorations of identity, memory, technology, and the natural landscape. She proposed a life for video beyond the constraints of the television monitor with her pioneering video sculptures, which combine the “energy of electrons” with three-dimensional forms made from raw materials like plywood and sheet metal, and often incorporate mirrors and flowing water. Prismatic in their layering of images and meanings yet economical in form, Kubota’s poetic, hybrid works continue to resonate. Published in conjunction with the first solo exhibition of the artist’s work at a museum in the United States in twenty-five years, Shigeko Kubota: Liquid Reality provides fresh perspectives on a selection of key video sculptures made through the mid-1980s. In-depth readings, as well as drawings, documentary photographs, and archival ephemera, illuminate her creative process and situate her in the vibrant New York art scene of the day, to which she contributed not only with her own bold multidisciplinary language but with her tireless advocacy for her chosen medium and its diverse practitioners.
Résumé : Accompagnant la plus grande exposition à ce jour consacrée à l'artiste thaïlandais Rirkrit Tiravanija, ce catalogue retrace quatre décennies de sa pratique multiforme et présente desœuvres rarement vues des années 1980 jusqu'à des projets récents, comprenant des installations, des vidéos, des œuvres sur papier, des sculptures et des œuvres participatives. Lesessais des commissaires de l'exposition Ruba Katrib et Yasmil Raymond, ainsi que des universitaires Jörn Schafaff, David Teh et Mi You, plongent dans les aspects clés du travail deTiravanija, fournissant un contexte historique. Ces textes sont complétés par 18 courtes réflexions d'artistes, penseurs et collaborateurs qui ont été des interlocuteurs importants de Tiravanija au fil des années.
par Bajac, Quentin ; Museum of modern art-Queens (New York, N.Y.).
MoMA
2015
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Disponible - 77.6 MOM
Niveau 3 - Arts
par Bajac, Quentin ; Museum of modern art (New York, N.Y.).
MoMA
2016
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Disponible - 77.4.6 MOM
Niveau 3 - Arts
par Bajac, Quentin ; Museum of modern art (New York, N.Y.).
MoMA
2017
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Disponible - 77.6 MOM
Niveau 3 - Arts
par Velasco, David
Moma
2017
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Disponible - 792.8 MICH 2
Niveau 3 - Arts
![Louise Bourgeois : an unfolding portrait : prints, books, and the creative process : [exhibition, New York, The Museum of modern art, September 24, 2017 - January 28, 2018]](/imported_images/livre/couverture/9781633450417.jpg)
MOMA
2017 -
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Disponible - 70"19" BOUR.L 2
Niveau 3 - Arts
Résumé : La 4e de couverture indique : ""Louise Bourgeois : An Unfolding Portrait" explores this celebrated artist's prints and books, a little known but highly significant part of Bourgeois's larger practice. Her copious production in these mediums - addressing themes that perennially occupied her, including memory, trauma, and the body - is examined here within the context of related sculptures, drawings, and paintings. This investigation sheds light on Bourgeois's creative process, which is uniquely and vividly apparent through the evolving states and variants of her prints ; seeing these sequences unfold is akin to looking over the artist's shoulder as she worked. Published in conjunction with an exhibition at The Museum of modern art, this catalogue features an insightful essay by curator (and longtime friend of the artist) Deborah Wye, examining Bourgeois's involvement with these mediums alongside the developments of her long life and career. Interviews with three of the artist's close collaborators further illuminate her artistic practice and output, some three hundred examples of which are presented in this volume."
Explorer les sujets liés :
Catalogues d'exposition
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Type d'autorité
- Concept
Museum of modern art (New York, N.Y.).
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Type d'autorité
- Collectivité
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- 1929
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Pays
- Etats-Unis
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Langue(s)
- anglais
Photographie
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Type d'autorité
- Concept
États-Unis
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Type d'autorité
- Nom géographique
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Autre(s) nom(s)
- États-Unis d'Amérique ;
- United States
Galassi, Peter (1951-....)
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Type d'autorité
- Personne
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- 1951
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Pays
- Etats-Unis
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Langue(s)
- anglais
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Activité(s) principale(s)
- Conservateur en chef du département de la Photographie du Museum of modern art, New York (en 2010). - Enseigne l'histoire de l'art à l'Université de Columbia, New York (en 1991). - Docteur en histoire de l'art (Columbia university, New York, N.Y., 1986)