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Documents en rayon : 12

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Résumé : At 80, Beatriz Gonzalez is not only an internationally celebrated Colombian artist, but also a representative of the "radical women" generation from Latin America. Her work spans over six decades and her groundbreaking art has distinct figuration, involving the flattening of forms and use of strong and eccentric color palettes evocative of commercial advertising. Her work often has imagery associated with Western art history as well as mass media common to Colombia in order to shed light on the middle- class notions of taste, class, gender, and ethnicity. This book includes essays that explore Gonzalez's early work, her late and current work, and her use of photography and archival images. It contextualizes her practice within Colombian history and major events that influenced her work. Filled with illustrations, this book shows the breadth of Beatriz Gonzalez's oeuvre, which comments on domestic environments and vernacular traditions of her country with self-conscious irony.

Résumé : Réunissant peintures, dessins, estampes, sculptures et installations, cette première grande exposition rétrospective de Beatriz González en Europe, permettra de découvrir un ensemble d’environ 130 œuvres réalisées entre 1965 et 2017. Artiste et pédagogue établie à Bogotá, Beatriz González est née en 1938, à Bucaramanga, Colombie. À travers le dessin, la peinture, l’illustration et la sculpture, elle traite de sujets en lien avec le contexte historique et culturel colombien.

Résumé : One of the most significant artists to emerge in the late 1980s and early 1990s, Félix González-Torres (1957-96) reduced formal vocabulary, conceptual rigor and evocative use of everyday materials that resonates with meaning that is at once specific and mutable, rigorous and generous, poetic and political. Featuring several key bodies of work from throughout the artist's career, this publication showcases a series of distinct installations at David Zwirner in New York in 2017. Together, in their radical openness to interventions of site, audience and context, the works on view challenge perceived notions of what constitutes an exhibition space, a public, an artwork itself. Despite the resolute abstraction of much of his work, Gonzalez-Torres worked with familiar materials, from his iconic candy spill works to his evocative light string pieces, to mirrors, clocks and curtains. His work activates the architecture of the various spaces, the physicality of the viewer, the past and present, continuously maintaining its relevance. Opening with details of the exhibition and images of visitors in the spaces, the publication walks the reader through each piece.

Résumé : Catalogue raisonné du fonds Gonzalez constitué de sculptures (fers et bronzes), de bijoux, d'objets décoratifs et de dessins. Consacré comme le père de la sculpture en fer, cet artiste fréquenta Picasso, Max Jacob et André Salmon. On lui doit notamment des portraits-masques en métal repoussé, des petits personnages en terre cuite et des oeuvres réalisées par un travail direct du métal à chaud.

Résumé : Formé dans la tradition d'une lignée de ferronniers catalans, Julio Gonzalez (1876-1942) apporta, en l'espace de deux décennies, une contribution essentielle à l'art moderne. Cet ouvrage présente un ensemble diversifié de ses oeuvres.

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