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Documents en rayon : 42

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Résumé : "The 1960s and 1970s marked a period of exceptional change in Korea, propelled by rapid urbanization and modernization, and influenced by an authoritarian state at home and a globalizing world beyond. Young artists of the era were not immune to these unprecedented socioeconomic, political and material conditions, responding with a groundbreaking and genre-defying body of avantgarde art known broadly as Experimental art (silheom misul). Both as individuals and in collectives, these artists broke definitively with their predecessors, redefining the boundaries of traditional painting and sculpture while embracing innovative-and often provocative-approaches to materials and process through performance, installation, photography and video. Only the Young: Experimental Art in Korea, 1960s-1970s accompanies the first exhibition in North America to examine this influential but understudied period. Featuring incisive new scholarship and lavish photography of works drawn from public and private collections across the globe, the volume also brings together translations of articles, artist manifestos and other primary sources that offer a firsthand perspective on the ideas and discourses then shaping Korean art. What emerges is the story of how this generation of young Korean artists harnessed the power of art to confront and reimagine an ever-shifting present. Artists include: Choi Boonghyun, Choi Byungso, Chung Chanseung, Ha Chong- Hyun, Han Youngsup, Jung Kangja, Kang Kukjin, Kim Hanyong, Kim Kulim, Kim Tchahsup, Kim Youngjin, Lee Hyangmi, Lee Hyeonjae, Lee Kang-So, Lee Kun-Yong, Lee Seungjio, Lee Seung-taek, Lee Taehyun, Limb Eungsik, Moon Bokcheol, Nam Sanggyun, Park Hyunki, Shim Moon-seup, Shin Hakchul, Song Burnsoo, Suh Seungwon, Sung Neungkyung and Yeo Un"

Résumé : In 'The Space Between', a generative period in Korean art between the traditional and the contemporary is illuminated comprehensively for the first time. After the centuries-long Joseon dynasty came 35 uninterrupted years of the Japanese colonial period (1910-45) followed by the Korean War (1950-53). During this tumultuous time, Korean artists grappled with issues such as identity and nationalism and experimented with a broad range of media. The book is organized into five categories: The Modern Encounter- foreign influences enter the country in a significant way in the late 19th and early 20th centuries; The Modern Response- how foreign methods are accepted or rejected; The Pageantry of the New Woman (Sinyeoseong) Movement- modern women's attitudes; The Modern Momentum- advances in using foreign styles; and Evolving into the Contemporary- a glimpse into the contemporary. Most notable during this period are the introductions of photography, sculpture and oils, which arrived via Japan and came to define modern art in Korea. At the same time, traditional ink painting reinvented itself: works grew larger in scale while keeping traditional landscape motifs with alterations in the use of color and composition. Artists of modern ink believed that theirs was the true future of modern art, unsullied by elements found in the West. By the end of the Korean War, the magnified status of the US made way for access to American abstract art and, indirectly, European informel. For nearly a decade, abstract expressionist and informel styles dominated Korean art. The volume concludes in the 1960s, setting the stage for contemporary art in Korea. Exhibition: Los Angeles County Museum of Art, USA (11.09.2022 - 19.02.2023)

Résumé : This book provides a history of anarchism in Korea and challenges conventional views of Korean anarchism as merely part of nationalist ideology, situating the study within a wider East Asian regional context. Dongyoun Hwang demonstrates that although the anarchist movement in Korea began as part of its struggle for independence from Japan, connections with anarchists and ideas from China and Japan gave the movement a regional and transnational dimension that transcended its initial nationalistic scope. Following the movement after 1945, Hwang shows how anarchism in Korea was deradicalized and evolved into an idea for both social revolution and alternative national development, with emphasis on organizing and educating peasants and developing rural villages

Résumé : Guide du Musée d'histoire contemporaine coréen, qui couvre la période 1860-2012. Riche d'une iconographie exceptionnelle (photographies, affiches, extraits de registres, pochettes de disques...); ce catalogue aborde les transformations politiques, sociales, géographiques ou culturelles de la société coréenne.

Résumé : Cette monographie permet de découvrir l'oeuvre de l'artiste coréen depuis les années 1970 jusqu'à aujourd'hui. Elle rassemble des contributions de spécialistes ainsi que des extraits d'entretiens pour mieux saisir la singularité de sa production ainsi que sa place sur la scène internationale. ©Electre 2019

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