W. König
2005 -
-
Disponible - 70"19" TROC 2
Niveau 3 - Arts
Résumé : Contient le Catalogue raisonné des oeuvres en laine (Werkverzeichnis der Wollarbeiten = Catalog raisonné of wool works)
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W. König
2005 -
Disponible - 70"19" TROC 2
Niveau 3 - Arts
Résumé : Contient le Catalogue raisonné des oeuvres en laine (Werkverzeichnis der Wollarbeiten = Catalog raisonné of wool works)
Hatje Cantz
2006 -
Disponible - 704-91 GES
Niveau 3 - Arts
Résumé : Ouvrage publié à l'occasion de l'exposition "Das achte Feld : Geschlechter, Leben und Begehren in der Kunst seit 1960", Museum Ludwig, Köln, du 19 août au 12 novembre 2006.
par Museum Ludwig (Cologne, Allemagne).
Verlag Kölner Dom ; König
2007 -
Disponible - 70"19" RICH.G 2
Niveau 3 - Arts
Résumé : Nouveau vitrail de la cathédrale de Cologne par Gerhard Richter.
par Museum Ludwig (Cologne, Allemagne).
Taschen
2012 -
Disponible - 77.6 PHO
Niveau 3 - Arts
Résumé : Le musée Ludwig de Cologne est le premier musée d'art contemporain à avoir créé une section photographie d'envergure internationale particulièrement représentative de l'histoire de la photo du XXe siècle. Cet ouvrage propose de découvrir, de A à Z, cette exposition permanente dont la pièce maîtresse est la collection de L. Fritz Gruber.
Museum Ludwig ; Hatje Cantz
2009
Disponible - 70"19" LASS.M 2
Niveau 3 - Arts
Prestel
2013 -
Disponible - 70"19" LAWL 2
Niveau 3 - Arts
Résumé : Sommaire : Louise Lawler: memory images of art under spectacle / Benjamin H.D. Buchloh -- The exterminating angel / Hal Foster -- "Not stone": acting in and with Louise Lawler's pictures / Sven Lütticken -- In the beginning was the cow: re:presentation in the work of Louise Lawler / Philipp Kaiser.
par Dziewior, Yilmaz (1964-....) ; Museum Ludwig (Cologne, Allemagne).
Verlag der Buchhandlung Walther König
2018 -
Disponible - 70"20" YANG.H 2
Niveau 3 - Arts
Résumé : This comprehensive catalogue raisonné documents and depicts Yang's entire oeuvre, from early action-based objects to lacquer paintings, photographs, works on paper and video, anthropomorphic sculptures, performative works, and large-scale installations with venetian blinds. The abbreviation ETA is internationally recognized as meaning "estimated time of arrival," among other things, and points to an artistic career in transit and the constant itineracy of an artist who has exhibited internationally since 1994.
par Museum Ludwig (Cologne, Allemagne).
Verlag der Buchhandlung Walther und Franz König
2023 -
Disponible - 70"19" URSU 2
Niveau 3 - Arts
Résumé : "Ursula Schultze-Bluhm, who is known simply as Ursula, was one of the most important German artists of the second half of the twentieth century. She was born in Mittenwalde, Germany, in 1921 and died in Cologne in 1999. Museum Ludwig's exhibition Ursula--That's Me. So What?, which is the first comprehensive museum show on the artist in over thirty years, offers a fresh look at her oeuvre. The show contains 236 works, of which 44 are from the collection of the Museum Ludwig.Ursula's life and work offer an unconventional narrative of artistic independence. Her art exemplifies the idea that Surrealism is not a style, but an attitude. Ursula subverted reality and found the uncanny in the everyday, challenging the authorities of society and art by imagining new worlds in which old hierarchies are thrown overboard and new ways of life are conceivable. Ursula shared this utopian imagination with artists such as Leonora Carrington, Leonor Fini, Dorothea Tanning, and Unica Zürn.It is impossible to unambiguously categorize the essence of Ursula's works. Terms such as naive painting, Surrealism, or individual mythology only touch on individual aspects of her unorthodox visual ideas, which always convey an intensely sensual experience. As early as 1954, Jean Dubuffet integrated works by her into his Musée de l'Art Brut. Like André Breton, Dubuffet appreciated the unconventional narrative style of her texts and pictures, which--at least on first glance--seem to stand outside of time. While they often refer to mythology, they usually reflect the artist's own emotional states, fears, and obsessions. 'I impose my visions on reality--I am completely artificial,' Ursula declared, characterizing her unusual parallel worlds in which extravagant characters exist and the familiar and the uncanny are perceptible. Beauty and transience, the fairy-like and the monstrous, thrive side by side. One of Ursula's characteristic subjects was Pandora, the woman who was created from clay in Greek mythology, in whose story the most terrible evils and the most excellent gifts are inseparably intertwined. Ursula's scenes are frequently inhabited by fantastical hybrid creatures, and the allure of transformation is tangible everywhere, challenging time-worn dualisms such as woman/man and human/nature.This overview exhibition at the Museum Ludwig aims to present Ursula's captivating and self-assured work to a new generation of museum visitors. The show reveals that it is the individuality of Ursula's work that allows it to touch on so many fundamental and topical issues, including female self-determination and the challenging of established gender identities, with a worldview in which everything is interconnected and mutually dependent."--
par Koegel, Alice ; König, Kasper (1943-....) ; Laughlin, Nicholas ; Museum Ludwig (Cologne, Allemagne).
König
2005
Disponible - 70"19" DOIG 2
Niveau 3 - Arts
par Diederich, Stephan (1961-....) ; Museum Ludwig (Cologne, Allemagne).
Prestel
2017
Disponible - 70"19" ROSE 2
Niveau 3 - Arts